This article examines
how leading Chinese media narrate Ukraine’s cultural and historical heritage
during Russia’s full-scale invasion, with particular attention to the role of
the European Union (EU) and its Member States. A thirty-month sample reveals
the relative invisibility of Ukraine’s heritage, which, when mentioned, is
framed in sympathetic yet passive terms: Ukraine appears as a victimized
repository of culture rather than an active political subject. Narratives avoid
condemning Russia, instead emphasizing shared cultural loss in order to sustain
China’s image as a neutral, morally superior observer. The EU is portrayed
sporadically and depoliticized, with Member States highlighted individually
rather than as a collective actor. By contrast, China is consistently cast as
the confident, heroic facilitator of cultural dialogue and global heritage
discourse. Ultimately, these framings serve the broader objective of ‘telling
China’s story well’, reinforcing China’s self-presentation as a civilized,
stable, and globally respected power.